![]() ![]() Harrison Mixbus is ideal for engineers and producers working with live musicians. You need to import tracks from another DAW.It is possible to bounce out multiple formats, stems and time ranges at the same time. Use of faders and built-in EQ and filters lets you get a feel of an analog console.īouncing a mix is also easy and powerful. Harrison Mixbus does a great job at balancing the tracks with the mixer. ![]() There are multiple fade taper options to choose from. One can draw fades in place and get accurate crossfades. Editing audio is also easy and flexible with a lot of comprehensive editing tools and modes. It is easy to drag and import tracks as well as record tracks. You can get tracks into Mixbus by either importing or recording. It opens with a Mixer window by default and lets you play around with controls. Mixbus operates in two different ways – Mixer and Editor. It also has a signal flow order window which allows arranging each piece of processing, hardware inserts and auxiliary sends in any order. Harrison Mixbus provides an unlimited number of MIDI, audio and auxiliary tracks which are fed into subgroups and the main stereo bus. Tracks are laid out well with left pane displaying the currently selected channel strip and right side displaying the session lists at a glance. ![]() There are timeline lanes like Range which allows bouncing at any pre-defined range, ideal for mixing live albums or exporting a part of a mix. The Editor window is laid out comfortably with tools for editing, transport, counters, playback modes, song map and selection. Harrison Mixbus offers a few screens to work – the editor view that represents multitrack while the mixer view which represents console and others. Let us take a closer look at Harrison Mixbus. With such a long manufacturing history, Harrison makes it clear that their DAW is aimed at emulating the feel and sound of mixing on a console. While the brand is not so famous as Neve or SSL, their consoles are used in top music mixing and film studios around the world. We use both ProTools and Logic here.have tried reaper and harrison.preference is PT.Harrison has been making analog consoles since 1975 and has earned a reputation for producing world-class consoles, both analog and digital. If you want a ton of great plugins go native and Plugin Alliance subscription If you want seamless integration with Logic and quality but not quantity go Apogee If you want price per pound plugins, great clocks and don't mind tech issues go Antelope If you want dependable and industry quality plugins go UAD ![]() I know Gyraf has authorized Antelope with his plugins.and frankly they sound really good but their code guys leave a LOT to be desired and their business model is just as bad. We also have an Apollo device and an Apogee Element, both of which offer no latency DSP effects.obviously the UAD appliance is pretty well known and yes their plugins are quite good.the Apogee we have the FX package.they only offer 5 but really they are plenty and sound really good.the one thing about the Apogee that really surprised us was the "dual path" thing they allows you to use a NATIVE reverb (or any plugin) in the low latency "direct" mix for headphone mixes etc.or even works amazingly well in Logic.everything can be run straight from the DAW.Īll that being said we also got the base M1 mac mini when they came out.8 gigs ram.and it is really amazing.we can easily run pretty much ANY native plugin in low latency mode (32 buffers, under 4ms latency) and it doesn't even bat an eye.it outperforms our older Mac Pro 8 core with 64 Gigs of ram by a factor of 2x easy. I have an Antelope Discrete 8 I bought a year ago from them directly in Jan., it is already considered legacy.and they just released the "Discrete 8 SC Pro" which finally allows you to use their plugins in the analog side of the device you own.I JUST got the main monitor outs on this D8 to work about a week ago.everyone here in the shop thought we were using it wrong, or wrong headed or whatever, turns out it was a damn software issue.which really pisses me off because you can ONLY use the premium plugin package we purchased ON THE MAIN OUTS or headphone mix.the device also requires itself to be the primary audio interface in your daw and runs a local server on your machine for copy protection.there are a LOT of things not to like about it.what I do like is the clock and the FX's are pretty good WHEN you can get them to work. ![]()
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